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Movie Monday: Get Him to the Gutter

Are you sure we’ve made it to the summer blockbuster season? You wouldn’t know it by the box-office takes as of late. Shrek Forever After took the title for the third straight week with $25.3 million—and that says more about its competition than its longevity.

All of the newcomers finished below expectations and sent movie executives scurrying for their Maalox. Get Him to the Greek was the most successful of the floppish four, scoring $17.4 million for second place. Killers was killed, finishing third with $16.1 million. Marmaduke had a ruff outing, scratching out $11.3 million for sixth place. And the sci-fi Splice finished eighth with $7.5 million. Box office prognosticators will ponder these results over the coming weeks, offering theories as to why moviegoers have deserted the theaters this summer. The economy? The weather? Are they all watching Avatar at home?

Me, I tend to think that the reason is a bit more simple: None of these films looked, at least from the trailers, very good. Do I really want to see Jonah Hill (Greek) throw up on himself? Katherine Heigl (Killers) fumble with a gun? A mutant creature (Splice) terrorize Adrien Brody? A CGI dog (Marmaduke) do … well, anything? I wouldn’t have seen any of these flicks, had my boss not made me.

Paul Asay

Paul Asay has been part of the Plugged In staff since 2007, watching and reviewing roughly 15 quintillion movies and television shows. He’s written for a number of other publications, too, including Time, The Washington Post and Christianity Today. The author of several books, Paul loves to find spirituality in unexpected places, including popular entertainment, and he loves all things superhero. His vices include James Bond films, Mountain Dew and terrible B-grade movies. He’s married, has two children and a neurotic dog, runs marathons on occasion and hopes to someday own his own tuxedo. Feel free to follow him on Twitter @AsayPaul.